Reports

Cover image for Streaming TV’s fight on social’s stage

Streaming TV’s fight on social’s stage
Tactics for a short-form video future

Ben Woods

28 Feb 2025

Streaming live YouTube

Streaming TV and social platforms have long competed for audience attention but from separate lanes. Now, these roads are merging in the social platforms’ favour as the likes of YouTube and TikTok evolve into kaleidoscopes of entertainment content, from vlogs and music videos to live sport and TV series.

Music streaming consumer profile Q4 2024
Stabilisation and fandom slowdown

Mark Mulligan and Tatiana Cirisano

26 Feb 2025

Willingness to pay Music consumers Streaming

Consumer music behaviours are both stabilising and showing signs of coming change. Change that could be challenging for all music business stakeholders, especially with regards to fandom monetisation. This report presents data-focused visuals and impactful analysis of trends and anomalies that will inform your understanding of what is happening to ...

Cover image for MIDiA's gamer segmentation

MIDiA's gamer segmentation
Prioritise why – not just how – players engage with games

Rhys Elliott

25 Feb 2025

Amazon Netflix Gaming

The games landscape is more dynamic and interconnected than ever, demanding a deeper understanding of why players engage with games – not just how. We are proud to introduce MIDiA’s gamer segmentation, which focuses on motivations, attitudes, and underlying reasons behind gaming behaviours.

Cover image for Social 2025

Social 2025
Navigating platforms for fan power

Hanna Kahlert

19 Feb 2025

Creators Spotify Social

The biggest apps are in the process of disruption. TikTok’s uncertain future and Meta’s apps relaxing content restrictions and fact checking will constitute greater challenges for creators, advertisers, and audiences looking to use and benefit from these platforms.

Cover image for The superfans of music superstars

The superfans of music superstars
Identity and cut-through

Olivia Jones

17 Feb 2025

Labels US Artists

Fandom is becoming the music industry’s golden goose, with labels focusing on building and monetising superfan bases for their top artists. However, superfan behaviours are changing in response to oversaturation and hyper-fragmentation. What once worked for measuring and monetising fandom will not work the same in the future.

Cover image for Audio’s entertainment value

Audio’s entertainment value
Examining audio listeners’ cross-entertainment lives

Rutger Rosenborg

13 Feb 2025

music industry Music streaming Content

Typically, the marketing team for a games company or TV show would not be thinking of audiobooks and podcast listeners as a key consumer segment to address. Yet, podcast and audiobook listeners are digitally sophisticated and spend more time and money than the consumer average on most forms of entertainment – including games, music, and video.

Cover image for MIDiA Research global games forecasts 2025–2031

MIDiA Research global games forecasts 2025–2031
The market is mature, so double-digit growth is a fantasy

Perry Gresham, Mark Qi and Rhys Elliott

30 Jan 2025

US Global Gaming

Interested in ' MIDiA Research global games forecasts 2025–2031' ? Access the free version here . Recent years have been tough for the games market. Like many industries, gaming overextended itself following the black swan event that was the COVID-19 pandemic.

Cover image for MIDiA Research 2025–2031 music creator tools forecasts

MIDiA Research 2025–2031 music creator tools forecasts
AI comes to town

Mark Mulligan

28 Jan 2025

subscribers AI Business Strategy

This music creator tools forecasts report acts as a companion piece to MIDiA’s report “State of music creator economy: AI’s growing reach ” . This report provides analysis, market sizing, and forecasts for users and revenues for music creator tools revenues across the following categories: Software and services DAWs Music software (plug-ins...

Cover image for Creators and the creator economy

Creators and the creator economy
Defining the undefinable

Karol Severin, Hanna Kahlert and Ben Woods

24 Jan 2025

Creators Cultural trends Creator economy

20 years since the launch of YouTube, the creator economy is not new – but it lacks a single clear definition. Different interest groups who interact with it all have their perspectives, but this lack of consistency can result in misunderstandings at best and strategic missteps at worst.

Cover image for Splice x MIDiA Sounds of 2025

Splice x MIDiA Sounds of 2025

Kriss Thakrar, Tatiana Cirisano, Samuel Griffin, Mark Qi and Olivia Jones

22 Jan 2025

Free Report

Splice Audience Insight

Splice is an engine powering producers across the world. With one ofthe largest, most sonically-diverse catalogues of sounds and samples, itprovides the music that makes the music for some of the most popularartists on the planet. Sabrina Carpenter’s hit “Espresso”, produced byJulian Bunetta, is a key recent example, with a sound pack by infl...

Cover image for State of the music creator economy

State of the music creator economy
AI’s growing reach

Mark Mulligan and Tatiana Cirisano

21 Jan 2025

Innovation Creators revenue

Still recovering from post-pandemic aftershocks, the music creator economy now faces unprecedented disruption from generative AI. More people are creating than ever before (both as creators and consumers) and sounds, services, and software revenue is growing well (the latter boosted by generative AI).

Cover image for Before and after podcasts

Before and after podcasts
Mapping the podcast listener journey

Rutger Rosenborg

17 Jan 2025

US UK France

The global importance of video for podcasting extends into the unique market dynamics of the US, UK, France, Mexico, and Japan. Not only does this justify Spotify’s strategic video push, but it also indicates a need for other platforms to follow suit.

Cover image for Creators versus creation

Creators versus creation
Tackling headwinds and bifurcation

Ben Woods

23 Dec 2024

Creators Music creators Business Strategy

Headwinds are threatening the creator economy’s potential. Audience growth, social platform monetisation, and content saturation are creating friction that is leaving creators frustrated. Now, the red lights are flashing on the dashboard: the average weekly time consumers spend creating and producing content has fallen for the first time since 20...

Cover image for What gamers really think about gen AI in games

What gamers really think about gen AI in games
Apathy, not outrage

Rhys Elliott

23 Dec 2024

Audience Insight

Game development budgets have spiralled out of control, leading game executives to cut costs and streamline their game development processes. It is no secret that generative AI (gen AI) is the tech industry’s current buzzword, but its potential is still disputed despite the hype.

Cover image for Social platform user behaviour

Social platform user behaviour
Q3 2024

Hanna Kahlert

19 Dec 2024

Marketing Strategy

Competition among social platforms is intensifying, with attention largely saturated and new regulations poised to upset the balance of power among incumbents. While growth is left in the overall market, it will largely be driven by YouTube and a cohort of smaller disruptor platforms – with fragmentation happening as these disruptors begin to eat...

Cover image for Q3 2024 music metrics

Q3 2024 music metrics
Maturation effect

Mark Mulligan

18 Dec 2024

Business Strategy

This report presents MIDiA consumer data for key music consumer behaviours and company financials for Q3 2024.Consumer data covered includes, streaming app usage, music behaviour and streaming activities. Company financials covers record labels, music publishers, DSPs, and live music companies.

Cover image for MIDiA's 2025 predictions webinar slides

MIDiA's 2025 predictions webinar slides
It's social's stage now

Mark Mulligan, Karol Severin, Hanna Kahlert, Tatiana Cirisano, Ben Woods, Rutger Rosenborg, Rhys Elliott and Olivia Jones

6 Dec 2024

Free Report

Spotify YouTube Twitch

MIDiA's expert analysts dive into our 2025 predictions for the music, social, video, audio, and games industries – and explain why we believe "it's social's stage now".

Cover image for MIDiA’s 2025 predictions

MIDiA’s 2025 predictions
It’s social’s stage now

Mark Mulligan, Karol Severin, Hanna Kahlert, Tatiana Cirisano, Ben Woods, Rutger Rosenborg, Rhys Elliott and Olivia Jones

5 Dec 2024

Apple Spotify YouTube

The creator economy reshaped entertainment in the first half of the 2020s and social wasthe big winner, now positioned at the centre of the entertainment economy. In 2025 wewill see the second-order effects begin to play out, set against the backdrop of attentionsaturation, content commodification, and increased focus on profit.

Cover image for The future of creator software

The future of creator software
Maximising AI’s engagement opportunity

Ben Woods

29 Nov 2024

Product Strategy

Artificial intelligence is revolutionising creator software to make it easier for those with little or no skill to produce high-quality content. These innovations are proving highly disruptive to existing workflows meaning traditional creator tools will struggle unless they adapt and evolve.

Cover image for The case for in-game video platforms

The case for in-game video platforms
Closing the direct-to-consumer gap

Karol Severin

29 Nov 2024

Product Strategy

Game publishers have long used third-party video platforms like Twitch and YouTube as a springboard to promote their games. Meanwhile, Twitch and YouTube get advertising and creator-driven revenues in return. The relationship has largely been reciprocal and beneficial for both parties.

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