Reports: Music Industry

Browse all of our reports, featuring our analysts' expert insights and analysis of audience segmentation, emerging trends and technologies, value chains, market shares, predictions and more – backed by our proprietary survey data and bespoke models & forecasts. Become a subscriber to get new ones every month, or just pick one to get started.

Music subscriber market shares Q4 2024
Full stream ahead

Cover image for Music subscriber market shares Q4 2024
Mark Mulligan, Tatiana Cirisano, Mark Qi, Olivia Jones and Laura Fisher
Streaming market metrics are bifurcating. Label streaming revenues were up in 2024, indicating a much anticipated slow down in revenue growth. Yet, at the same time, music subscriber growth was nearly double that of label streaming revenues for 2024. As is so often the case, there are many factors at play.
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Music streaming consumer profile Q4 2024
Stabilisation and fandom slowdown

Cover image for Music streaming consumer profile Q4 2024
Mark Mulligan and Tatiana Cirisano
Consumer music behaviours are both stabilising and showing signs of coming change. Change that could be challenging for all music business stakeholders, especially with regards to fandom monetisation. This report presents data-focused visuals and impactful analysis of trends and anomalies that will inform your understanding of what is happening to today’s music consumer, why it is happening, and where these trends are heading.
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State of the independent music economy
Fragmentation and consolidation

Cover image for State of the independent music economy
Mark Mulligan and Tatiana Cirisano
This report presents the results of MIDiA’s annual independent label and distributor survey, as well as the most comprehensive market sizing of the non-major label sector ever conducted. Built on revenue data for 5,500 companies, we present the definitive view of the independent music economy, with market sizing, regional trends, the companies to watch, market drivers, and a view of the forces that are shaping the business of tomorrow.
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O mercado brasileiro de música
Rumo ao estrelato

Cover image for O mercado brasileiro de música
Leo Morel and Tatiana Cirisano
Grande parte da população do Brasil adotou o streaming como formato de consumo musical. Atualmente, ele é o principal formato de consumo do país, correspondente a 82% de sua receita de música gravada. Isto, atrelada a forte conexão dos brasileiros com a música, está contribuindo para expandir as fronteiras da música local, com o funk brasileiro e artistas como Anitta se tornando conhecidos globalmente.
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French music consumer user profile
Unlocking fandom

Cover image for French music consumer user profile
Tatiana Cirisano
This report presents MIDiA consumer data for key music behaviours of French consumers. Key data and insights in this report: Monthly music streaming behaviours of French consumers Listening habits of French consumers, monthly, weekly, and daily breakdown French popular radio station daily and weekly usage French daily active usage, weekly active usage, and paid subscribers, for leading music streaming services France time series survey data from between Q2 2020 and Q2 2024, which includes weekly active users of key music streaming platforms Most popular types of music subscription plans (family plan, student plan, etc.
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The state of music AI
The consumer opportunity lies in modification, not generation

Cover image for The state of music AI
Tatiana Cirisano and Hanna Kahlert
MIDiA previously predicted that generative artificial intelligence (gen AI) would accelerate music’s “Instagram moment”, where consumers could create and remix music as easily and often as they post photos and videos on social media. However, just because everyone can do these things does not mean everyone will want to.
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Sustainability from chaos
How today’s artists find sustainable success in a turbulent music industry

Cover image for Sustainability from chaos
Mark Mulligan, Keith Jopling, Hanna Kahlert, Tatiana Cirisano, Sophia Oleksiyenko, Fernanda Balzaretti and Ula Kalkyte
Success in the modern music industry has been transformed by the streaming era. Previous markers and methods, such as national charts and radio plays, have been replaced by streaming playlists and social platforms. Yet, while executives can look at high-level metrics across their portfolios, individual artists struggle with the increasingly personalised, algorithm-driven listening habits of audiences who predominantly listen to music in the background – and the resulting lack of formal benchmarks.
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