superfan

Beyond the anecdote: The need for a data-driven superfan definition

Laura Fisher

10 Sep 2025

Fandom Entertainment Engagement

Whether you work in the entertainment industry or not, you have almost certainly used the term superfan . It’s a ubiquitous label we apply to the most ardent audiences. It’s the fans who camp out for new releases, who own every variant of a vinyl, who drive viral moments, and whose identities ar...

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Bringing fandom to life: the rise of IRL superfan experiences

Olivia Jones

12 Feb 2025

Fandom Spotify Streaming

Much of the recent discussion around music superfan monetisation has focused on online superfans, especially as more superstars join fan platforms like Weverse. These monetisation strategies capitalise on fans’ growing desire for artist-fan interaction but often rely on artists’ active participa...

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RIIZE: When listening to superfans goes too far

Olivia Jones

19 Dec 2024

Music Fandom SM Entertainment

Many record labels have spent 2024 trying to capitalise on the power of superfans , inspired by the global success of Korean entertainment companies. However, the recent scandal involving Seunghan, a member of the K-pop group RIIZE, and their label SM Entertainment, prompts questions about whether c...

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Is it too soon to be talking about podcast superfans?

Rutger Rosenborg

28 Mar 2025

Fandom Business Strategy Social media

Key insights from this blog: Podcasting faces challenges on its way to becoming a mainstream format on the level of radio, music, and TV While the medium excels at creating a sense of community and personal connection, discovery and accessibility hurdles have so far held podcasts back Supported by o...

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Billie Eilish delivered a superfan masterclass

Kriss Thakrar

4 Jun 2024

Music Superfans SoundCloud

While the industry standard for new releases has long been about scale and velocity, Billie Eilish, her brother Finneas, and Darkroom/Interscope, the labels behind their latest album Hit Me Hard and Soft , have delivered a masterclass in executing a superfan-focused release strategy.

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Defining entertainment superfans
Characteristics, categories, and commercial impact

Olivia Jones and Laura Fisher

15 Sep 2025

France Australia Spotify

Superfans represent a highly valuable yet consistently underleveraged audience segment for the entertainment industry. What drives this disconnect is the fact that – despite frequent anecdotal use of the term – a standardised, empirical definition remains absent, preventing companies from systematically identifying, nurturing, and monetising th...

What HYBE and UMG’s Q3 earnings tell us about superfans

Olivia Jones

3 Dec 2024

Music fandom HYBE Universal Music Group

“Superfan” has been this year’s buzzword in the music industry. From Universal Music Group (UMG) setting its superfan agenda at the start of the year to Warner Music Group announcing its plans for a superfan platform, much of the Western music industry has shifted its focus to monetising fando...

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Music in podcasts: Engaging superfans with a new album campaign strategy

Rutger Rosenborg

23 Oct 2024

Podcasts Streaming music podcasts

MIDiA has covered music’s big podcasting opportunity extensively. Per our June 2024 report, “ Defining podcast taste: The universal appeal of music, news, and comedy ”, music is one of the top podcast topics in the world; however, podcasting’s role in music marketing has yet to fully materia...

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Sony's $700 PS5 Pro is for superfans – it won’t really grow PlayStation’s playerbase

Rhys Elliott

10 Sep 2024

playstation 5 Xbox console gaming

Sony just announced its worst-kept secret, the PS5 Pro. It's launching for $700 in November 2024, four years after the debut of the original PS5. Compared to the original, PS5 Pro will offer better visuals and performance: Larger GPU with more speed : Sony says the PS5 Pro’s GPU will render 45% f...

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The superfans of music superstars
Identity and cut-through

Olivia Jones

17 Feb 2025

Labels US Artists

Fandom is becoming the music industry’s golden goose, with labels focusing on building and monetising superfan bases for their top artists. However, superfan behaviours are changing in response to oversaturation and hyper-fragmentation. What once worked for measuring and monetising fandom will not work the same in the future.

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Superstars and their superfans
Turning point

Tatiana Cirisano

8 Feb 2024

Audience Insight

Key data and insights included in this report: Consumer awareness, listenership, and fandom rates of music stars including Taylor Swift, Ariana Grande, Ed Sheeran, Drake, Billie Eilish, Post Malone, The Weeknd, Dua Lipa, Olivia Rodrigo, and Bad Bunny Analysis of these artists’ super fans by proportion of total fans, age and propensity to buy merc...

Superfans may not be super enough

Mark Mulligan

4 Aug 2023

Fandom monetizing fandom Superfans

There has been a lot of talk recently of music superfans and how they may be the shining light of the industry’s future. Little surprise, given how record labels are trying to establish superfans as the next growth driver for an investor community that is growing increasingly concerned about slowi...

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BlackPink, superfans and the video game threat to social video and streaming TV

Ben Woods

1 Sep 2023

Fandom Superfans streaming tv

Being an entertainment fan in the modern era can be a disjointed experience. Take Star Wars . A fan of the long-standing sci-fi franchise must invest significant amounts of time and money across multiple entertainment platforms if they are to truly indulge in their fandom.

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Artist subscriptions are the superfan opportunity

Mark Mulligan, Kriss Thakrar and Tatiana Cirisano

30 Aug 2023

Business Strategy

Streaming is at a tipping point. Revenue growth slowed to 6.0% in 2022, labels want new royalty systems, consumption is commodified, TikTok is diluting cultural capital, creators are questioning effort ROI, and AI is here. Music rightsholders need their next growth driver.

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The fandom eclipse
How fan content is competing with IP

Tatiana Cirisano and Ben Woods

25 Jun 2025

superfan YouTube Netflix

Fan-made content is evolving from a support act to a fully-fledged competitor to entertainment IP. This is creating tension between IP holders and the fan community. Both parties want the IP they love to thrive in a saturated entertainment landscape. This report will unpack whether entertainment IP holders should view fan content creation as an opp...

Building fandom is about the journey, not the destination

Hanna Kahlert

15 Jul 2025

Fandom Entertainment Media

“Superfans” remain the headline topic for the entertainment industries , in music and beyond. They are the biggest cheerleaders amongst their peers, the most engaged on social media and streaming, and the highest spenders across the board.

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The winning formula for Grand Theft Auto VI
Games pricing strategy

Brandon Sutton and Perry Gresham

9 Oct 2025

Willingness to pay Willingness to pay pricing

With anticipation for the long-awaited release of Grand Theft Auto VI (GTA VI) at an all-time high, speculation around various aspects of the game, particularly its price point, has become widespread. Since the game’s announcement, speculation has suggested a base edition price of $100, sparking industry-wide debate about the future of AAA game p...

How to build a strong fanbase using identity resonance

Olivia Jones

27 Feb 2025

Fandom Streaming Music

As entertainment consumption fragments, superstars dominate less, with fans gravitating towards ever-multiplying niches. This trend, alongside the maturation of streaming subscription growth, is driving record labels’ renewed focus on nurturing – and monetising – core bases of superfans.

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Streaming is both retail and radio – it shouldn’t be

Mark Mulligan

26 Jun 2025

Business Strategy Streaming Fandom

In a brutally simplified view of the past, the recorded music industry had two lanes: retail and radio. Piracy killed retail. Streaming killed piracy, then went on to, if not kill, then seriously maim radio.

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Why fandom’s ‘more is more’ era could backfire

Olivia Jones

9 Jul 2025

Marketing Strategy Fandom Social media

‘Less is more’ has long been a pillar of entertainment marketing strategy, promoting the importance of quality over quantity. However, in the past decade, the new phrase has effectively become “more is more” as all forms of entertainment push to release as much content as possible, as often ...

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