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    Reports Music Industry Social Creator Economy Entertainment and Fandom All

    Ashleigh Millar

    Ash's key areas of interest are social media and entertainment, short-form video, and online marketing.
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    BE THE CHANGE Gender equity in music

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    Paramount’s marketing for the new Mean Girls movie was totally fetch, but like, did it pay off?

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    MIDiA's 2024 predictions webinar The algorithm is not listening

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    MIDiA’s 2024 predictions report The algorithm is not listening

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    Snap’s attempt to be the real creator-focused MVP

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    Virtual artists and virtual influencers A new (virtual) reality

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    Nobody Sausage A masterclass in relatable content from a virtual sausage

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    BeReal: The app’s missed entertainment-fandom opportunity

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    Gig tickets: artist discovery versus consumer satisfaction

    Cover image for Swift and Healy set the tone for live music in the 2020s

    Swift and Healy set the tone for live music in the 2020s

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    The AI entertainment revolution How artificial intelligence will reshape media consumption

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    AI use cases in the entertainment industry Electric Sheep, Mubert, Unreal Engine 5, Descript, Uhmbrella, and My AI

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    The Meta push for efficiency

    Cover image for Snapchat and TikTok: The hAIghs and the lows of AI in social

    Snapchat and TikTok: The hAIghs and the lows of AI in social

    Cover image for Authenticity in the West versus artificiality in the East

    Authenticity in the West versus artificiality in the East

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    Year of change Themes that will shape entertainment in 2023

    Cover image for Blue ticks and adverts and meta (AI)!

    Blue ticks and adverts and meta (AI)!

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    Pivot point MIDiA 2023 predictions

    Cover image for Netflix adds a splash of colour to 2023 content marketing

    Netflix adds a splash of colour to 2023 content marketing

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    Social 2.0 Social media’s survival of the fittest, and how marketers fit in

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