Blog: Spotify - Page 10

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Sports SVOD Services: The Underdogs’ Game

Hanna Kahlert
Cord cutting and “the attention economy” are the landscaping trends reshaping everything video in 2019, and sports television – despite its reliably existent fanbase – is no exception. New sports proposition streaming video on demand (SVOD) entrants face hefty competition on all sides, from regionally established SVOD services with more varied offerings to tech majors waiting in the wings to buy up the biggest rights before moving onto the scene.
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Quick Take: Spotify, Stories and Music – the Social Media Divide

Zach Fuller
The story of a song’s creation is one of the great mysteries of music. Regularly are we regaled with anecdotes of a song emerging fully formed in a 15-minute flurry of creative genius. However, while less seductive, the reality is that more often than not a composition goes through many iterations before it is released, or in the case of Leonard Cohen’s Hallelujah , even after it has been recorded.
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Quick Take: Spotify’s Throwback Hub and the Future of the Album

Zach Fuller
Throwback Thursday, one of Spotify’s most popular features, has been expanded into a new Throwback hub. Launching initially with 30 playlists and described by Austin Daboh, Head of Music Culture & Editorial at Spotify, as being “a permanent home for our main nostalgia brand”, the announcement is a subtle yet defiant statement against the format playlists are set to usurp: the album.
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Here’s How Spotify Can Fix Its Songwriter Woes (Hint: It’s All About Pricing)

Cover image for Here’s How Spotify Can Fix Its Songwriter Woes (Hint: It’s All About Pricing)
Mark Mulligan
Songwriter royalties have always been a pain point for streaming, especially in the US where statutory rates determine much of how songwriters get paid.  The current debate over Spotify, Amazon, Pandora and Google challenging the Copyright Royalty Board’s proposed 44% increase illustrates just how deeply feelings run.
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What’s Next For Playlist Innovation?

Keith Jopling
In this era of access to all music and everything about it, I do enjoy reading artist interviews, and pay attention to artists’ views on the modern music industry. What caught me recently were Mark Ronson’s remarks on songwriting in the age of the playlist in The Guardian: “Everything has to be produced so it sounds competitively as loud as possible coming out of an iPhone or as loud as possible when it comes out of a Spotify hits playlist; you have to make sure the kick drum and the guitar have the same loudness and presence all the way through the whole fucking song or you don’t stand a chance.
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