Blog: Streaming

Read our latest daily deep dives, hot takes, and exciting updates about the entertainment world. Check out the latest insight from your favourite analyst, or search by coverage areas - music, entertainment and fandom, creator economy and social.

20 years ago, labels targeted fandom. Will it work the second time around?

Cover image for 20 years ago, labels targeted fandom. Will it work the second time around?

Tatiana Cirisano

27 May 2025

Business Strategy

Music streaming

The New York Times headline “ The New Deal: Band As Brand ” would not look out of place in today’s pages. In the article, the writer explores how record labels are responding to a need to diversify revenue streams by seeking to monetise fandom, via expanded rights deals.

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Unintended consequences – the year ahead for streaming

Cover image for Unintended consequences – the year ahead for streaming

Mark Mulligan

8 May 2025

Business Strategy

Streaming may be maturing from a revenue perspective but with two-tier (‘artist centric’) licensing and supremium, 2025 is set to be a year of transformative change in both product and business terms.

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What “Make Hollywood Great Again” really means for entertainment

Cover image for What “Make Hollywood Great Again” really means for entertainment

Hanna Kahlert

8 May 2025

Business Strategy

On Sunday, May 4th, President Trump announced his intent to put a “100 per cent Tariff on any and all Movies coming into our Country that are produced in Foreign Lands”. The administration has stated it is “exploring all options” and that no final decisions have been made.

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Has music reached peak fragmentation?

Cover image for Has music reached peak fragmentation?

Tatiana Cirisano

2 May 2025

Audience Insight

If you have read any of MIDiA’s work, you will know we keep a close eye on the fragmentation of music consumption. Thanks to both the internet’s democratising force and the rise of recommendation algorithms, consumers are spreading their listening across more songs and artists than ever, while the “hits” are dominating less.

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Are we reaching peak fandom?

Cover image for Are we reaching peak fandom?

Mark Mulligan

1 May 2025

Business Strategy

With streaming revenue growth slowing to 6.2% in 2024, the recorded music industry’s attention is firmly fixed on superfans as the ‘get out of jail free’ card. The growing sophistication of artist merch has reached the stage where fans can buy Taylor Swift fashion bags and shop her jewelry range , meanwhile all eyes are on the impending Spotify supremium tier (as reported by Bloomberg ).

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Online culture is fragmenting: Why White Lotus spoilers are not flooding the internet

Cover image for Online culture is fragmenting: Why White Lotus spoilers are not flooding the internet

Hanna Kahlert

9 Apr 2025

Cultural trends

Key takeaways from this blog: Audience fragmentation is growing, with platforms like TikTok losing influence and shows like White Lotus thriving in niche, offline conversations Oversaturation of content is making it hard for entertainment to create shared cultural moments As MIDiA explores in our 'Analogue revival' report , Culture is moving offline, as people seek real-world connections and entertainment companies need to adapt to a fragmented digital landscape White Lotus is not the internet viral darling that shows like Tiger King or Game of Thrones (GoT) once were.

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Everyone wants to monetise fandom – but we must fix fan data first

Cover image for Everyone wants to monetise fandom – but we must fix fan data first

Olivia Jones

4 Apr 2025

Key takeaways from this blog: Fandom monetisation is booming, with MIDiA data showing how expanded rights is growing, driving labels to prioritise direct control over fan data instead of relying on third-party platforms.

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Is streaming music's final form? And if not, what's next?

Cover image for Is streaming music's final form? And if not, what's next?

Tatiana Cirisano

3 Apr 2025

Business Strategy

Key takeaways from this blog: Music is not stuck – it is shifting. Fans now engage through remixes, memes, and behind-the-scenes content, not just through streaming Streaming is losing cultural ground.

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A model for a new music streaming industry

Cover image for A model for a new music streaming industry

Mark Mulligan

18 Mar 2025

Business Strategy

The music industry is approaching a pivot point. On the one hand, things look positive: we have UMG’s Streaming 2.0 , artist centric licensing, the impending launch of supremium and expanded rights revenue hitting $4.

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YouTube is winning emerging markets by being social – and format-flexible

Cover image for YouTube is winning emerging markets by being social – and format-flexible

Hanna Kahlert

5 Mar 2025

Audience Insight

Cultural trends

In English-speaking markets (and much of Europe), entertainment consumption is split across a large number of digital platforms, segmented largely by content format, rights access, and legacy uptake. It is also fragmented across devices: smart TVs, smartphones, laptops, and consoles all play big roles in their respective niches.

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How to build a strong fanbase using identity resonance

Cover image for How to build a strong fanbase using identity resonance

Olivia Jones

27 Feb 2025

As entertainment consumption fragments, superstars dominate less, with fans gravitating towards ever-multiplying niches. This trend, alongside the maturation of streaming subscription growth, is driving record labels’ renewed focus on nurturing – and monetising – core bases of superfans.

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Social came for music streaming’s lunch – now is the time for streaming to bite back

Cover image for Social came for music streaming’s lunch – now is the time for streaming to bite back

Tatiana Cirisano

27 Feb 2025

Audience Insight

In the battle of music streaming versus social, the major (at least Western) music streaming services have never fully committed to implementing social features. Spotify has come the closest: an early version offered direct messaging, and the company even acquired a handful of social media-related startups in 2016.

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Can the smart TV become a canvas for content creation?

Cover image for Can the smart TV become a canvas for content creation?

Ben Woods

21 Feb 2025

Audience Insight

YouTube’s growing strength on smart TVs is a head scratching moment for the video industry. The social video platform recently revealed that US consumers watched 1 billion hours of YouTube content daily on their smart TVs in December 2024.

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What the Reuters AI copyright decision means for the music industry

Cover image for What the Reuters AI copyright decision means for the music industry

Tatiana Cirisano

20 Feb 2025

Business Strategy

Last week saw a major AI copyright case judgement in the US – and it fell in favour of human creators. The case stems all the way back to 2020, when Thomson Reuters sued the legal AI startup ROSS Intelligence, alleging that it reproduced Reuters’ legal research to create a competing, AI-powered legal platform.

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How streaming platforms are adapting in the race for affordable content

Cover image for How streaming platforms are adapting in the race for affordable content

Rutger Rosenborg

19 Feb 2025

Business Strategy

Music is expensive – not for consumers, but for companies who have to license music copyrights from rightsholders. It is a large reason Spotify did not have a full year of profitability until 2024 . What helped the company get there? Podcasting.

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Craft versus character: the equation the music industry needs to fix

Cover image for Craft versus character: the equation the music industry needs to fix

Mark Mulligan

18 Feb 2025

I recently wrote about the unflattening of music :how creativity, craft, and fandom can – if done right – counter the growing commodification of music. Not surprisingly, I focused on the music side of the equation, but in doing so I missed the other big flattening challenge music faces.

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Why Spotify only hit profitability now (but will do so again)

Cover image for Why Spotify only hit profitability now (but will do so again)

Mark Mulligan

13 Feb 2025

Business Strategy

Spotify finally registered its first profitable year in 2024. It has hit net profit in individual quarters before – most recently in Q3 2023 – but this is the first year it was profitable throughout the year.

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Bringing fandom to life: the rise of IRL superfan experiences

Cover image for Bringing fandom to life: the rise of IRL superfan experiences

Olivia Jones

12 Feb 2025

Much of the recent discussion around music superfan monetisation has focused on online superfans, especially as more superstars join fan platforms like Weverse. These monetisation strategies capitalise on fans’ growing desire for artist-fan interaction but often rely on artists’ active participation, adding yet another task to their ever-growing list of marketing responsibilities.

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Bootlegging is the scourge of many industries. Could it be music’s greatest strength?

Cover image for Bootlegging is the scourge of many industries. Could it be music’s greatest strength?

Tatiana Cirisano

7 Feb 2025

The word “bootleg” has long left a bad taste in brands’ mouths. Quite literally defined as “illicit goods,” these unauthorised versions or replications of clothes, handbags, concert tees, and other items have long plagued brands.

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The unflattening of music

Cover image for The unflattening of music

Mark Mulligan

30 Jan 2025

Cultural trends

[This post builds on two other recent MIDiA posts: Background music and What got you here ] At the half way point of the decade it is a good time to reflect on how the business of music is reshaping the culture of music – and where this is heading.

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