Blog: Streaming - Page 11

Read our latest daily deep dives, hot takes, and exciting updates about the entertainment world. Check out the latest insight from your favourite analyst, or search by coverage areas - music, entertainment and fandom, creator economy and social.

Is YouTube The Digital Successor To Free-To-View TV?

Tim Mulligan

24 Oct 2017

On October 17th, YouTube made another significant step towards supplanting the TV industry with the free-to-view ad-supported release of a YouTube original documentary on music artist Demi Lovato, entitled Demi Lovato: Simply Complicated - Official Documentary .

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Pay-TV Cord-cutting Versus Savvy SVOD Switchers

Cover image for Pay-TV Cord-cutting Versus Savvy SVOD Switchers

Tim Mulligan

16 Oct 2017

Content Budgets

The news last Thursday about AT&T’s 390,000 pay-TV subscriber losses in the third quarter of 2017 are a salient reminder of the winds of change currently sweeping through the traditional video industry.

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What Spotify Can Learn From The Roman Slave Trade

Mark Mulligan

13 Oct 2017

age of enlightenment

Believe Digital

OK, you’re going to have to bearwith me on this one, but let me take you back to 2nd century Rome… The Roman Empire was at the peak of its powers. Its borders stretched from Scotland down to Syria and across to Armenia, and throughout its dominions, Rome spread its culture, language, administration and military prowess.

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Netflix Is Becoming More Efficient Than Spotify At Revenue Generation

Cover image for Netflix Is Becoming More Efficient Than Spotify At Revenue Generation

Tim Mulligan

11 Oct 2017

In the streaming wars, there are two standoutsthat grab all the attention and, in many ways, capture the popular zeitgeist around the transformative power of streaming. The two companies are Netflix and Spotify:both were early adopters of streaming technology as a business, to consumer distribution platform for media content.

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Bodak Yellow: The Moment Streaming and Social Overtook Radio in Music Discovery

Zach Fuller

6 Oct 2017

Renowned for its natural diversity (at certain points of the year you can hike in the desert, ski and surf on the same day), there was one thing that unified the state of California on my recent visit last month.

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Is QQ Music Worth $10 Billion?

Cover image for Is QQ Music Worth $10 Billion?

Mark Mulligan

7 Sep 2017

Western appetite for the Chinese market has long been based upon accessing the 1.4 billion consumers. This has in turn impacted valuations of Chinese companies, particularly when eager western investors are involved.

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Quick Take: Spotify And Hulu Partner In The US

Mark Mulligan

7 Sep 2017

Spotify just announced it is bundling in the Hulu No Commercials plan into its $4.99 student offering in the US. Given that the Hulu product retails at $7.99 and Spotify at $9.99, this is unmistakably a good value for money deal – even compared to the standard $4.

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Apple, The Culver Studios And The Importance Of Content

Tim Mulligan

4 Sep 2017

The Financial Times has reported that Apple is planning to acquire The Culver Studios, a complex of film-making buildings in LA next to where Sony Pictures is based. The Culver Studios has a long history in Hollywood, with the likes of Howard Hughes and Cecil B.

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What’s In A Number: Can Streaming Really Be Worth $28 Billion?

Mark Mulligan

30 Aug 2017

lehman brothers

Goldman Sachs just made some headlines with its assessment that Universal Music is worth $23.5 billion and that the paid streaming market will be worth $28 billion in 2030 (up from $3.5 billion in 2016 and close to double the size of the entire recorded music business in 2016).

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Elvis Presley and the Two Recorded Music Industries

Zach Fuller

16 Aug 2017

music subscribers

Today marks 40 years since the passing of Elvis Presley. Whilst ‘The King’s’ emergence has come to represent a cultural year zero for the music industry, his icon status in recent years has taken a hit.

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The Three Eras Of Paid Streaming

Cover image for The Three Eras Of Paid Streaming

Mark Mulligan

28 Jul 2017

3 ages of streaming

3 eras of streaming

3 phases of streaming

Streaming has driven such a revenue renaissance within the major record labels that the financial markets are now falling over themselves to work out where they can invest in the market, and indeed whether they should.

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YouTube And Latin America Are Taking Over The World

Cover image for YouTube And Latin America Are Taking Over The World

Mark Mulligan

20 Jul 2017

1 billion streams

2 billion streams

Unless you have been on Mars for the last couple of days you will have seen the news that Luis Fonsi’s ‘Despacito’ has become the most streamed track in history with 4.6 billion streams. The figure includes a couple of versions of the track (ie the one include a certain Justin Bieber) but is an impressive tally nonetheless.

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The Art of Windowing: Why 4:44 is a Different Kind of Exclusive

Zach Fuller

5 Jul 2017

For a brief moment last year, windowing seemed like the future of music streaming. Already common practice in the film-industry, the strategy was being touted as a way of utilising artist fan engagement to drive registrations (both freemium and paid) to streaming services, thus engendering the payment behaviours that would ultimately grow the industry.

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How Soundcloud Could Transform Deezer’s Market Narrative

Cover image for How Soundcloud Could Transform Deezer’s Market Narrative

Mark Mulligan

4 Jul 2017

Access Industries

Artist discovery

News has emerged of Deezer being a potential buyer of troubled Soundcloud. This follows on from Spotify’s prolonged but ultimately abortive courting last year . Soundcloud was once a streaming powerhouse, with 175 million Monthly Active Users reported in October 2014.

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Thoughts On Second-Order Effects For Content Discovery in Voice

Zach Fuller

30 Jun 2017

Second-order effects are rarely considered when new technologies come to the fore and reach critical mass. For example, the realisation of smartphones, the emergence of Apple's app store and the ubiquity of Wi-Fi and cheap, effective data in mature digital markets means a service such as WhatsApp makes more immediate sense, but Uber and Snapchat are less obvious.

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Quick Take: Tesla’s Streaming Ambition

Mark Mulligan

23 Jun 2017

Reports have emerged that Tesla is looking to build its own streaming music service. In practice, this will most likely be a case of Tesla building a streaming service that operates solely for Tesla users, rather than competing head on with Apple and Spotify.

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Quick Take: Is Spotify Doing A Facebook?

Mark Mulligan

20 Jun 2017

sponsored tracks

The Verge has reported that Spotify is trialling sponsored songs , tailored to users’ tastes, that are embedded in users’ playlists. Spotify tests a lot of things on subsets of its user base so this does not mean that this will necessarily be rolled out more widely.

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Spotify Earnings: Growth Comes At A Cost

Cover image for Spotify Earnings: Growth Comes At A Cost

Mark Mulligan

18 Jun 2017

Spotify earnings

Spotify financials

Spotify has published its much anticipated 2016 revenues. Because the company is under so much analytical scrutiny, there is little that is particularly surprising but there is still plenty we can learn from the results: Growth maintains momentum: Spotify recorded revenues of €2.

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Do Not Assume We Have Arrived At Our Destination

Mark Mulligan

15 Jun 2017

Forbes has released its annual Celebrity 100, its list of the top earning media stars. The healthy share of music artists hints at the continued ability to build highly successful music careers. The presence of younger, streaming era artists like Drake and the Weeknd goes further, hinting at how streaming can now be the foundation for superstar commercial success.

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MIDiA at Midem 2017

Zach Fuller

11 Jun 2017

MIDiA Research were one of thousands of delegates who arrived in Cannes this week to attend Midem; the annual conference addressing the latest developments in the music industry. Across 4 days of panels, here are three points we found most insightful: Still no consensus on streaming : Perhaps predictably, many of the event’s panels with regard to the recorded music business were geared towards streaming.

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