Blog: Music - Page 23

Read our latest daily deep dives, hot takes, and exciting updates about the entertainment world. Check out the latest insight from your favourite analyst, or search by coverage areas - music, entertainment and fandom, creator economy and social.

Streaming Is Finally Beginning to Turn the German Market

Zach Fuller

4 Dec 2019

german music market

Still the fourth-largest market by revenue after the US, UK and Japan, Germany has been comparatively slow to make the digital transition while remaining a key territory for record labels due to its scale, spending power and robust physical market.

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Why the Music Industry Needs Bytedance to Disrupt It

Mark Mulligan

18 Nov 2019

Back in September 2018 I suggested that Spotify faced a Tencent risk, with the potential of Tencent launching a competitive offering in markets that Spotify is not yet in. This would effectively divide the world between Spotify in Europe, Americas and some of Asia, and Tencent potentially everywhere else.

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Seven Developments in Recorded Music in the 2010s (and the Songs that Defined them)

Zach Fuller

6 Nov 2019

cultural insight

Decade retrospectives are almost doomed to fail. Assess the 60s in 1969 and you would have likely overweighed the influence of Grand Funk Railroad compared to The Velvet Underground. When it comes to the 70s, proto Hip-Hop pioneers such as Grandmaster Flash or the Post-Punk of Joy Division would have been a mere footnote in favour of David Naughton or Melissa Manchester.

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Creators Versus Distributors: What Happens When Brands Can No Longer Rely on Their Content?

Hanna Kahlert

4 Nov 2019

Colin Kaepernick

digital behaviour

At the risk of sounding like a broken record, technology is completely altering the relationship between ‘creators’ and distributors – and it is doing so in a way which is empowering the independent agency of creators, while leaving those companies that focus upon the distribution of their work increasingly scrambling to justify the ROI between content provision and monetisation.

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Fortnite’s Black Hole: A Fandom Play for Peak Attention

Hanna Kahlert

14 Oct 2019

One would think that, in a highly competitive market where every entertainment proposition is now increasingly struggling to maintain engaged audience share, the ideal strategy would not be to obliterate one of your most popular ( 250 million players globally ) games with an asteroid strike.

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Abbey Road 50 Years On: The Two Worlds of Music Listening

Mark Mulligan

7 Oct 2019

artist audiences

artist fanbases

Half a century after it first after it first topped the charts, the Beatles’ Abbey Road is back at the summit of the UK charts. With the anniversary editions retailing for between $20 and $100, the impact on Universal Music’s revenue will be even more pronounced than the chart position, as we saw with the deluxe editions of the White Album (which had editions priced up to $145) helping the Beatles become the fourth-biggest UMG artist in revenue terms in 2018.

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YouTube Returns to Its Roots by Making Originals Free

Amanda Stears

30 Aug 2019

ad supported strategy

YouTube is shifting its original programming strategy by lifting the paywall for all of its original content. Since the rebranding of YouTube Premium in 2018, viewers can opt to pay for a monthly subscription fee of $11.

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The Frank Ocean Days May Be Gone, but Streaming Disintermediation Is Just Getting Going

Mark Mulligan

24 Jul 2019

Music Business Worldwide recently ran a story highlighting that both Spotify and Apple Music were backing independent artist (i.e. independent of record label rather than an indie label artist) Aaron Smith, including featuring him in priority playlists such as Spotify’s New Music Friday.

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Independent Artists: The Age of Empowerment

Cover image for Independent Artists: The Age of Empowerment

Mark Mulligan

11 Jul 2019

MIDiA is proud to announce an exclusive new report in conjunction with Amuse – Independent Artists: The Age of Empowerment . The report is based on a global survey of independent artists that we conducted earlier this year, with respondents from all of the world’s continents.

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Big Machine (Inadvertently) Just Did a Promo Ad for Label Services Deals

Mark Mulligan

1 Jul 2019

The sales of Taylor Swift’s former label Big Machine Records to Scooter Braun has resulted in an ugly spat that has been played out very publicly. First Braun enthused about acquiring a ‘brilliant’ company and the global ‘opportunities’.

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The Classical Music Market - Streaming's Next Genre?

Cover image for The Classical Music Market - Streaming's Next Genre?

Dara Jegede

19 Jun 2019

classical music

Music Subscriptions

When IDAGIO commissioned MIDiA to explore the classical music audience globally, we were excited to validate the hypothesis that a classical music resurgence was possible in today’s on-demand music streaming world.

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Here’s Why Apple Just Killed Off iTunes

Mark Mulligan

4 Jun 2019

Apple CEO Tim Cook speaks during Apple's annual Worldwide Developers Conference in San Jose, California, U.S. June 3, 2019. REUTERS/Mason Trinca Apple has announced that it is closing iTunes and replacing it with three new apps: Apple Music, Apple Podcasts and Apple TV Apps.

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Quick Take: The Bull Argument for Music Publishing Acquisitions

Zach Fuller

30 May 2019

The music rights landgrab continues. This past week alone has seen Primary Wave take a stake in rights to Culture Club, having already inked a deal with the Whitney Houston Estate. Meanwhile, Hipgnosis Song fund have added to their recent acquisition of Eurythmic’s writer credits by taking a stake in the royalties of Al Jackson, a composer whose credits include songs by Otis Redding and Al Green.

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Quick Take: Spotify, Stories and Music – the Social Media Divide

Zach Fuller

16 May 2019

The story of a song’s creation is one of the great mysteries of music. Regularly are we regaled with anecdotes of a song emerging fully formed in a 15-minute flurry of creative genius. However, while less seductive, the reality is that more often than not a composition goes through many iterations before it is released, or in the case of Leonard Cohen’s Hallelujah , even after it has been recorded.

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PledgeMusic and Not-So-Glorious Failure

Mark Mulligan

10 May 2019

Pioneering fan funding platform PledgeMusic is now officially over, having entered administration (i.e. Chapter 11) in the UK reportedly owing its artists around $1 million and with little expectation of any asset sale generating enough cash to clear those debts.

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Spotify, the Decline of Playlists and the Rise of Podcasts

Cover image for Spotify, the Decline of Playlists and the Rise of Podcasts

Mark Mulligan

11 Apr 2019

curated playlists

The following is a small excerpt from MIDiA’s forthcoming third edition of its ‘landmark State of the Streaming Nation’ report. For more information about this report email stephen@midiaresearch.

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Downtown Acquires AVL: Value Chains in a Post-direct Distribution Era

Zach Fuller

28 Mar 2019

cd baby music distribution

When Spotify announced that it was going to launch direct distribution on its platform, it was clear the various digital distributors that emerged in the post-Napster wave of online music (Tunecore, CD Baby, Ditto etc) would have to do something to counter the impact.

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Calling all Artists!

Mark Mulligan

14 Mar 2019

In partnership with independent distribution company Amuse, MIDiA Research is undertaking a detailed study of the music artist landscape. We are fielding a survey to the artist community , exploring issues such as: What success looks like to you Career aspirations The importance of signing to a record label Financial wellbeing Maintaining creative control If you are a singer, DJ, producer, performer, or in a band, then we’d love to hear your views.

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Why India Matters to Spotify, and Why it May Not Deliver

Mark Mulligan

28 Feb 2019

emerging markets

india streaming

Warner Music and Spotify have been involved in a rather unseemly and very public spat this week over Spotify’s India launch . I’ll leave for someone else, the discussions of the potential implications of a blanket license for songwriter rights in India for an on-demand streaming service.

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Taylor Swift, Label Services and What Comes Next

Mark Mulligan

22 Nov 2018

Taylor Swift has done it again, striking a deal with UMG that includes a commitment from the world’s largest label group to share proceeds from Spotify stock sales with artists, even if they are not recouped (ie haven’t generated enough revenue to have paid off the balance on their advance so not yet eligible to earn royalty income).

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