Blog: Music

Read our latest daily deep dives, hot takes, and exciting updates about the entertainment world. Check out the latest insight from your favourite analyst, or search by coverage areas - music, entertainment and fandom, creator economy and social.

Culture always starts as grassroots: The rise of bardcore raves

Cover image for Culture always starts as grassroots: The rise of bardcore raves
Hanna Kahlert
Cultural trends
Music
Social
The entertainment industry is facing a cultural crisis. Demands for more , faster to feed the algorithms are undermining longevity and impact. Songs fade quickly, while films fail to fill cinemas. If much of current mainstream culture is nostalgia and clickbait, what will be the legacy that defines this era? The biggest phenomena never start big; they take time to grow and become established.
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Are we reaching peak fandom?

Cover image for Are we reaching peak fandom?
Mark Mulligan
Business Strategy
Streaming
Music
With streaming revenue growth slowing to 6.2% in 2024, the recorded music industry’s attention is firmly fixed on superfans as the ‘get out of jail free’ card. The growing sophistication of artist merch has reached the stage where fans can buy Taylor Swift fashion bags and shop her jewelry range , meanwhile all eyes are on the impending Spotify supremium tier (as reported by Bloomberg ).
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The music industry wants solutions. But do listeners see problems?

Cover image for The music industry wants solutions. But do listeners see problems?
Tatiana Cirisano
Business Strategy
Music
Music streaming
Key takeways from this blog: The music industry’s next phase of growth depends on solving real problems faced by multiple stakeholders – not just one group in isolation Areas like live music demand, fan engagement, and discovery offer clues about where meaningful overlaps might exist MIDiA spotlights potential solutions that could create value for artists, listeners, labels, and platforms alike History is full of examples of products that failed because they were "solutions without a problem”.
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Online culture is fragmenting: Why White Lotus spoilers are not flooding the internet

Cover image for Online culture is fragmenting: Why White Lotus spoilers are not flooding the internet
Hanna Kahlert
Cultural trends
TikTok
Streaming
Key takeaways from this blog: Audience fragmentation is growing, with platforms like TikTok losing influence and shows like White Lotus thriving in niche, offline conversations Oversaturation of content is making it hard for entertainment to create shared cultural moments As MIDiA explores in our 'Analogue revival' report , Culture is moving offline, as people seek real-world connections and entertainment companies need to adapt to a fragmented digital landscape White Lotus is not the internet viral darling that shows like Tiger King or Game of Thrones (GoT) once were.
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Fandom reciprocity: Why sustaining a community requires give and take

Cover image for Fandom reciprocity: Why sustaining a community requires give and take
Laura Fisher
Fandom
Instagram
Music
Key takeaways from this blog: Fandoms are becoming two-way relationships, with artists like AJ Tracey and Maverick Sabre involving fans through grassroots gigs, remix contests, and fan-led tour decisions Fans want real engagement, not just content – prompting artists and labels to hire community managers and create spaces for fan participation The artists who give back will last, as true fan loyalty now depends on connection and reciprocity, not just popularity or scale The Outlander Magazine recently took to Instagram to issue a pointed challenge to artists and brands: you can only call your audience a "community" if you actively contribute to it.
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Music is losing a generation of young men

Cover image for Music is losing a generation of young men
Kriss Thakrar
Music
Social media
Entertainment
Key insights from this blog: Netflix’s hit Adolescence has renewed conversation around the radicalisation of young men, particularly in online spaces MIDiA’s research highlights that all entertainment is becoming increasingly gendered, with social media platforms displaying a growing gender gap amongst young users However, this issue also extends to music, with live music attendance amongst young men plummeting and their spending on video games overtaking music (including live) Over the past year, there has been increasing attention on the flailing state of young men in Western societies.
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85% of Rocket League players do NOT count electronic music as a favourite music genre – own goal or opportunity?

Cover image for 85% of Rocket League players do NOT count electronic music as a favourite music genre – own goal or opportunity?
Rhys Elliott
Business Strategy
Music
Fandom
Key takeaways from this blog: Only 15% of Rocket League players list EDM as a top genre, per MIDiA data, despite its dominance in the game Players are twice as likely than average to prefer EDM, often due to in-game exposure (per MIDiA interviews) Psyonix should diversify its soundtrack, as explored in MIDiA’s ‘Pixels to Playlists’ report, to boost engagement and match broader player tastes Anybody who has played Psyonix’s Rocket League knows that the game is almost synonymous with electronic music.
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The music industry’s weakest link: Getting from A to B

Cover image for The music industry’s weakest link: Getting from A to B
Tatiana Cirisano
Business Strategy
Fandom
Artists
Key insights from this blog: The music industry is missing a key step when it comes to supporting and growing artists As the landscape of the industry has changed, most notably a loss of a mainstream monoculture, the traditional ways of discovery and promotion no longer work for new and smaller artists To combat this, the music industry must change its ways – including shifting towards a scenes-based strategy put forward by MIDiA “Super premium” streaming tiers, special-edition vinyl, and direct-to-fan revenue streams all have one thing in common – and no, it is not just that they are about monetising fandom.
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