Blog: Audience Insight

If you have read any of MIDiA’s work, you will know we keep a close eye on the fragmentation of music consumption. Thanks to both the internet’s democratising force and the rise of recommendation algorithms, consumers are spreading their listening across more songs and artists than ever, while the “hits” are dominating less.

After a successful launch last year, MIDiA is returning with a new survey to ensure the voice of video creators is heard loud and clear across the industry. To achieve this, we are calling on all video creators – no matter their skill or what they create – to complete a quick survey to ensure the industry is armed with the information it needs to support creators now, and into the future.

Key takeaways from this blog: Podcasts now rival traditional media in influence, especially around current events, thanks to their strong personalities, flexibility, and direct audience engagement The success of top podcasts is driven by hosts, not media networks — charisma, connection, and commentary often matter more than institutional credibility Traditional media must adapt by embracing engaging, personality-led formats without sacrificing editorial integrity, to remain competitive in the on-demand content era A quick scan of the podcast charts on Spotify , Apple , and even YouTube reveals a striking trend: Current events are dominating podcasting right now, at least at the top.

Last year, MIDiA’s inaugural songwriter survey uncovered an alarming statistic: 67% of songwriters name “lack of meaningful streaming income” as their biggest challenge. More alarming yet is the fact that this remained the most common challenge for songwriters in our survey across income levels and tenure, even as other challenges – such as breaking through the noise – diminished.

Key insights from this blog: MIDiA's research shows that a significant portion of gamers consider couch co-op a favourite genre. The runaway success of Split Fiction supports these findings Producing more couch co-op games would cater to gamer segments that MIDiA has identified as being underserved, including women and older gamers As growth across gaming slows, couch co-op games are a key opportunity the industry needs to seize Split Fiction , the co-op-only adventure game from Hazelight Studios, has sold over 2 million copies in one week, generating revenues of over $100 million.

Key insights from this blog: Online radio has a growing audience, with further opportunity to capitalise on what is missing from music streaming We explore why online radio is gaining popularity – covering the elements of loyalty, dynamism, and humanity – and explain how this connects to MIDiA's theory of bifurcation across entertainment In an era defined by the proliferation of algorithmic playlists and on-demand streaming, online music radio has quietly carved itself a future-proofed space in the audio ecosystem.

Key insights from this blog: Instagram's direct messaging features have become a core component of the platform; MIDiA data highlights that the majority of social media users log in to the platform to keep up to date with friends As Instagram's Feeds – and subsequently its Stories feature – have become cluttered with noise that distracts from its original purpose, DMs have become a safe haven for users MIDiA raises the question: will extending ads into DMs result in a significant drop in users? Instagram has recently announced a slew of features and updates to the direct messaging area of its app, from AI chatbots to colourful themes to broadcast channels, and other ways that make it easier for creators (and, of course, brands) to reach their audiences.

We are proud to have launched our new gamer segmentation , which focuses on motivations, attitudes, and underlying reasons behind gaming behaviours. This article zooms in on some key data and insights from our segmentation, based on both qualitative and quantitative data.

In English-speaking markets (and much of Europe), entertainment consumption is split across a large number of digital platforms, segmented largely by content format, rights access, and legacy uptake. It is also fragmented across devices: smart TVs, smartphones, laptops, and consoles all play big roles in their respective niches.

In the battle of music streaming versus social, the major (at least Western) music streaming services have never fully committed to implementing social features. Spotify has come the closest: an early version offered direct messaging, and the company even acquired a handful of social media-related startups in 2016.

YouTube’s growing strength on smart TVs is a head scratching moment for the video industry. The social video platform recently revealed that US consumers watched 1 billion hours of YouTube content daily on their smart TVs in December 2024.

With one of the largest, most sonically-diverse catalogues of sounds and samples, Splice provides the music that makes the music for producers around the world. So trends in what users are searching for and downloading on Splice can tell us a lot about the sounds of the future.

Open the YouTube app on your TV and the first category you will see below “Home” is “Podcasts”. According to the YouTube blog , viewers watched more than 400 million hours of podcasts every month in 2024, just on living room devices alone.

With one of the largest, most sonically-diverse catalogues of sounds and samples, Splice provides the music that makes the music for producers around the world. So trends in what users are searching for and downloading on Splice can tell us a lot about the sounds of the future.

As the global podcast industry zeros in on video – especially social video – one overlooked discovery source has never really gone away: word of mouth. Despite a format that was born to be digital, podcasting still relies on the most analog of recommendation systems for discovery in the US, UK, and France.

As 2024 comes to a close, it is worth reflecting on this year’s audio trends and where we expect things to head in 2025. Per our recent report, ‘ MIDiA’s 2025 predictions: It’s social’s stage now ’, social platforms will continue to take centre stage on the heels of the creator economy reshaping entertainment in the first half of the 2020s.

Last year, as Spotify’s annual Wrapped series hit the internet, MIDiA did what we do best: analyse, publishing a blog piece on what our own year-end data reflects about the state of music streaming and fandom.

Unpacking social media strategy is now part and parcel of any election postmortem. From Elon Musk’s ownership of X to Donald Trump’s use of creators to target Gen Z men, understanding social’s role in the US election is to understand how influence is wielded in the digital age.