Fandom

Are we reaching peak fandom?

Cover image for Are we reaching peak fandom?
Mark Mulligan
Business Strategy
Streaming
Music
With streaming revenue growth slowing to 6.2% in 2024, the recorded music industry’s attention is firmly fixed on superfans as the ‘get out of jail free’ card. The growing sophistication of artist merch has reached the stage where fans can buy Taylor Swift fashion bags and shop her jewelry range , meanwhile all eyes are on the impending Spotify supremium tier (as reported by Bloomberg ).
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Fandom reciprocity: Why sustaining a community requires give and take

Cover image for Fandom reciprocity: Why sustaining a community requires give and take
Laura Fisher
Fandom
Instagram
Music
Key takeaways from this blog: Fandoms are becoming two-way relationships, with artists like AJ Tracey and Maverick Sabre involving fans through grassroots gigs, remix contests, and fan-led tour decisions Fans want real engagement, not just content – prompting artists and labels to hire community managers and create spaces for fan participation The artists who give back will last, as true fan loyalty now depends on connection and reciprocity, not just popularity or scale The Outlander Magazine recently took to Instagram to issue a pointed challenge to artists and brands: you can only call your audience a "community" if you actively contribute to it.
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Is it too soon to be talking about podcast superfans?

Cover image for Is it too soon to be talking about podcast superfans?
Rutger Rosenborg
Fandom
Business Strategy
Social media
Key insights from this blog: Podcasting faces challenges on its way to becoming a mainstream format on the level of radio, music, and TV While the medium excels at creating a sense of community and personal connection, discovery and accessibility hurdles have so far held podcasts back Supported by our forecasts and consumer survey data, MIDiA proposes "glocalised" content as one way for podcasts to move from niche to mainstream Podcasting faces significant challenges in becoming a truly global, mainstream format.
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85% of Rocket League players do NOT count electronic music as a favourite music genre – own goal or opportunity?

Cover image for 85% of Rocket League players do NOT count electronic music as a favourite music genre – own goal or opportunity?
Rhys Elliott
Business Strategy
Music
Fandom
Key takeaways from this blog: Only 15% of Rocket League players list EDM as a top genre, per MIDiA data, despite its dominance in the game Players are twice as likely than average to prefer EDM, often due to in-game exposure (per MIDiA interviews) Psyonix should diversify its soundtrack, as explored in MIDiA’s ‘Pixels to Playlists’ report, to boost engagement and match broader player tastes Anybody who has played Psyonix’s Rocket League knows that the game is almost synonymous with electronic music.
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The music industry’s weakest link: Getting from A to B

Cover image for The music industry’s weakest link: Getting from A to B
Tatiana Cirisano
Business Strategy
Fandom
Artists
Key insights from this blog: The music industry is missing a key step when it comes to supporting and growing artists As the landscape of the industry has changed, most notably a loss of a mainstream monoculture, the traditional ways of discovery and promotion no longer work for new and smaller artists To combat this, the music industry must change its ways – including shifting towards a scenes-based strategy put forward by MIDiA “Super premium” streaming tiers, special-edition vinyl, and direct-to-fan revenue streams all have one thing in common – and no, it is not just that they are about monetising fandom.
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Live and direct: lessons for streamers from the appeal of online radio

Cover image for Live and direct: lessons for streamers from the appeal of online radio
Laura Fisher
Audience Insight
Music
Audio
Key insights from this blog: Online radio has a growing audience, with further opportunity to capitalise on what is missing from music streaming We explore why online radio is gaining popularity – covering the elements of loyalty, dynamism, and humanity – and explain how this connects to MIDiA's theory of bifurcation across entertainment In an era defined by the proliferation of algorithmic playlists and on-demand streaming, online music radio has quietly carved itself a future-proofed space in the audio ecosystem.
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Live orchestras and game-specific songs: Death Stranding is a masterclass in harmonising games and music

Cover image for Live orchestras and game-specific songs: Death Stranding is a masterclass in harmonising games and music
Rhys Elliott
Marketing Strategy
Fandom
Music
Key insights from this blog: There is ample opportunity for the games industry to leverage music to its advantage Key MIDiA data highlights that real-world live concerts using game music AND artists recording original music specifically for games are two underutilised strategies The music industry is not leveraging games as well as it could, but there is some low-hanging fruit – backed up by case studies – that should change that.
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