Blog: Entertainment and Fandom - Page 20

Read our latest daily deep dives, hot takes, and exciting updates about the entertainment world. Check out the latest insight from your favourite analyst, or search by coverage areas - music, entertainment and fandom, creator economy and social.

The engagement dilemma means that film has to embrace the future

Cover image for The engagement dilemma means that film has to embrace the future
Tim Mulligan
Hollywood is in flux right now, with producers such as Jason Blum taking to social media andexpressing their frustrations: “Gotta get out to those movie theatres folks. We don’t want to be streamed to death!” Agents representing film talent (both acting and production) are busy lobbying the leading direct-to-consumer (D2C) services to prioritise theatrical releases over straight-to-streaming releases for significant productions.
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Games report bundle offer – the less you can afford research, the more you probably need it

Cover image for Games report bundle offer – the less you can afford research, the more you probably need it
Karol Severin
Part of the festive period is about reflection and new aspirations. I, for one, am eternally grateful that MIDiA works with some of the most successful companies in entertainment. I love that we get to ask a lot of questions, have fascinating discussions, find progressive solutions to business challenges, and help our clients look around the corner to see what’s to come – both in the entertainment market and in entertainment consumers’ minds.
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The economic crunch will reorient consumption around reasons, not ways, to spend attention

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Hanna Kahlert
The past few weeks have demonstrated that the economic downturn is not only affecting consumer spending, but corporate strategy as well. Venture capital investors are rethinking red flags , Amazon is rethinking its long-term bets , Facebook has acknowledged a downturn in consumer reach, and Twitter is, well, Twitter-ing .
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Why the launch of Artists’ Equity and the return of Bob Iger are both driven by fandom

Cover image for Why the launch of  Artists’ Equity and the return of Bob Iger are both driven by fandom
Tim Mulligan
On Sunday, the New York Times broke the story that Matt Damon and Ben Affleck are launching a new production company called Artists’ Equity. The production venture is backed by RedBird Capital Partners (who have committed $100 million to fund the venture) and aims to expand profit participation alongside a “talent-friendly” environment for creatives.
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Lean-through listening: how does context impact consumption?

Cover image for Lean-through listening: how does context impact consumption?
Hanna Kahlert
Streaming has changed music listening dramatically, turning what was once a thoughtful, attention-intensive activity to a primarily ambient background media format. Or has it? Elevator jazz is far older than YouTube’s ‘lo-fi playlist to chill / elevator to’, and the invention of headphones and cassette players spurred the 80’s trope of angst-ridden teens escaping into their favourite mixtape long before the iPod.
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How Apple’s commission is reconfiguring Spotify’s audiobook strategy

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Annie Langston
Spotify’s audiobook rollout has hit a major roadblock. Spotify debuted its service in September as a la carte , where users purchased audiobooks individually. In order to avoid Apple’s 30% commission on in-app purchases for apps listed in its App Store, users were directed to purchase audiobooks online, after which the audiobook would appear in the app.
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Can Elon Musk’s Twitter takeover trigger a revolution for creator pay?

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Ben Woods
Amid Twitter’s subscription turmoil, Elon Musk unveiled plans for a land grab on his social media rivals. The likes of YouTube, Facebook, and Twitch moved into his sights as he recently declared that he is preparing new financial incentives for creators to encourage the biggest influencers to take up residence on his newly acquired social media app.
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How to recycle games IP: God of War: Ragnarök

Cover image for How to recycle games IP: God of War: Ragnarök
Samuel Griffin
Familiar enough, but not too familiar Recycling games IP is commercially beneficial to games companies, be it from the cost, risk, or predictability perspective. Despite, or perhaps because of, the constant outpouring of new content, audiences find comfort in the familiar – making revamps, sequels, and spin-offs safe bets for production companies in video and games alike.
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