MIDiA Blog - Page 93

Read our latest daily deep dives, hot takes, and exciting updates about the entertainment world. Check out the latest insight from your favourite analyst, or search by coverage areas - music, entertainment and fandom, creator economy and social.

New Media's YouTube Strategy

Zach Fuller

27 Apr 2018

New media’s video strategy came to the fore in the last year. With instant articles on Facebook and Google meaning Vice, BuzzFeed and Vox’s core platforms lost significant amounts of traffic, video became the key source of revenue, while native advertising and branded content articles lost their cachet with advertisers.

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Sweden Might Just Have Shown Us What the Future of Music Revenues Will Look Like

Mark Mulligan

27 Apr 2018

Earlier this week the IFPI released its Global Music Report – an essential tool for anyone with a serious interest in the global recorded music business. One interesting trend to emerge was the slowdown in Swedish streaming growth and its knock-on effect on overall recorded music revenues.

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CBS Launches International SVOD Foray with All Access in Canada

Tim Mulligan

25 Apr 2018

Amazon Prime Video

Yesterday, April 24, CBS launched CBS All Access in Canada. This the first international market for the US network’s subscription video on demand (SVOD) service and represents a clear statement of intent by CBS to compete internationally with its own brand content offerings for non-US digital audiences.

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Quick Take: How E-sports Video Partnerships Help Tech Majors In The Sports Wars

Karol Severin

20 Apr 2018

In December, we wrote about a deal that brought the NBA’s G League (minor league) live matches to Twitch. Now Twitch’s focus on basketball is about to extend further, though this time it will be through video games, as it was announced that the platform will live stream all matches of the NBA 2K League in 2018.

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Global Recorded Music Revenues Grew By $1.4 Billion in 2017

Cover image for Global Recorded Music Revenues Grew By $1.4 Billion in 2017

Mark Mulligan

19 Apr 2018

2017 was a stellar year for the recorded music business. Global recorded music revenues reached $17.4 billion in 2017 in trade values, up from $16 billion in 2016, an annual growth rate of 8.5%. That $1.

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Netflix Q1 2018 Results: Hiking Prices or Fighting Churn?

Cover image for Netflix Q1 2018 Results: Hiking Prices or Fighting Churn?

Tim Mulligan

18 Apr 2018

Monday saw another solid Netflix earnings call as the preeminent subscription video on demand (SVOD) service continues its seemingly inexorable rise to global dominance. Year-on-year (YoY) revenue growth was an impressive 40.

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Free Report: Digital Music Is Streaming Forward

Dara Jegede

16 Apr 2018

Amazon Prime Music

MIDiA is proud to partner with DiMA on its inaugural Streaming Forward Report. Digital distribution, andstreaming in particular, has been transforming music business in recent years. Although digital business models had already transformed content marketplaces prior to the rise of streaming, it is the rise of streaming services that really flicked the switch on this radical transformation.

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TV Connect: Where Video Distribution Meets IP

Dara Jegede

16 Apr 2018

Media and Marketing

TV Connect returns to Olympia London next month. Have you booked your free visitor pass yet? On 9– 10 May, senior industry execs will meet to network, discover future-proof tech and focusonthe changing face of video distribution, content delivery and media technology.

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Facebook Might Just Have Done YouTube a Massive Favour

Mark Mulligan

13 Apr 2018

The word on the street is that the deals labels have struck with Facebook for its forthcoming music service have been done on a blanket license basis (i.e. a flat fee) with no reporting. This was reported by Music Business Worldwide and has been confirmed to me by various well-placed third parties: “One controversial element of these agreements is, we hear, that these are ‘blind’ checks: effectively, advances that are not tied to any kind of usage reports from Facebook.

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Marvel versus Netflix

Cover image for Marvel versus Netflix

Tim Mulligan

13 Apr 2018

With yesterday’s launch of ESPN+ Disney has begun its direct-to-consumer strategy, which revolves around the introduction of proprietary subscription video on demand (SVOD) services. The move forms part of Disney’s stated aim to reach consumers directly, following on from the creation of a dedicated direct-to-consumer and international business unit last month.

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‘Nice for What?’ and the Slow Death of the Album

Zach Fuller

10 Apr 2018

beggars banquet

death of the album

I write this week’s blog conflicted between the music fan who grew up on the album and the MIDiA analyst looking at the numbers (an eternal struggle). Alongside the feature-length film, the LP was one of the definitive artistic mediums to emerge in the 20th century, but it was also bound to the same business framework of many enterprises of the period; factory-powered mass production methods with the product demand side stoked by television and radio.

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Spotify and the Music Industry: Who Needs Who More?

Zach Fuller

6 Apr 2018

Following Spotify’s DPO earlier this week, much of the financial commentary around the listing emphasised the company’s loss-making status. Those familiar with Spotify’s business model know this is attributable to the sizeable fees the company pays out to rights holders—the gatekeepers to the very content that allows Spotify to exist.

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Is ESPN+ The Shape Of Future Video Sports Coverage?

Cover image for Is ESPN+ The Shape Of Future Video Sports Coverage?

Tim Mulligan

6 Apr 2018

On 12 April Disney will launch ESPN+ into an increasingly competitive market. The move forms part of Disney’s stated aim to reach consumers directly, following on from the creation of a dedicated direct-to-consumer and international business unit established last month.

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Spotify D(PO)-Day

Mark Mulligan

3 Apr 2018

Arguably the most anticipated day in the history of digital music is upon us. By the end of it we will have the first hint at whether Spotify is going to fall at the Snap Inc. or Facebook end of the spectrum of promising tech IPO, or DPO in the case of Spotify.

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Quick Take: Have We Witnessed Peak Silicon Valley?

Zach Fuller

30 Mar 2018

fairchild semiconductors

In light of Facebook’s controversial handling of the Cambridge Analytica scandal, it seems a pertinent time to ask if the world is falling out of love with Silicon Valley, the West Coast powerhouse that birthed many of the world’s eminent technology companies.

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Free Is Never Free In The Digital Economy; Video Just Might Be Facebook’s Salvation

Tim Mulligan

29 Mar 2018

Cambridge Analytica

Unless you are one of those rare individuals who is still able to live a digital-free life, you will have been made aware of Facebook’s recent fall from grace on the back of the revelations about its unwitting relationship with the suddenly world-famous Cambridge Analytica.

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Spotify and Netflix Are Experiencing Opposite User Engagement Trends

Cover image for Spotify and Netflix Are Experiencing Opposite User Engagement Trends

Karol Severin

27 Mar 2018

listening hours

The latest Fuse data enables us to comparemonthly hours per MAU spent onSpotify and monthly hours per subscriber spent on Netflix over 2017. Interestingly they are travelling in opposite directions. Spotify & Netflix's Monthly Hours Of Engagement per MAU/Subscriber While Spotify’s monthly content hours per MAU increased from 19 to 25 in 2017, Netflix’s average monthly hours per subscriber decreased from 50 to 39.

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Quick Take: Frustrate and Destroy – YouTube’s Frontloaded Strategy

Zach Fuller

23 Mar 2018

Listen to any music streaming debate and it will not be long before you the value gap discussion regarding YouTube is brought up. It is a point MIDiA has discussed at length through distinguishing Spotify and YouTube’s business models (that of all streams created equal vs share of ad revenue), but YouTube Head of Music Lyor Cohen is looking to change that.

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The Spotify Numbers You Won’t Have Seen

Cover image for The Spotify Numbers You Won’t Have Seen

Mark Mulligan

23 Mar 2018

One of the core values that we deliver to our clients at MIDiA Research is finding the ‘third number’— the data point that wasn’t reported by a company but that can be arrived at through a process of modelling and triangulation.

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Amazon Has Hit The Brakes On The Grand Tour

Tim Mulligan

22 Mar 2018

Fans of the Amazon original Grand Tour last week will have been disappointed to find out that the eclectic motorsports/chat show was not going to be renewed beyond the third season which is currently in production.

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