Read our latest daily deep dives, hot takes, and exciting updates about the entertainment world. Check out the latest insight from your favourite analyst, or search by coverage areas - music, entertainment and fandom, creator economy and social.

Quick Take: Instagram Removes Friction For Super-Users

Karol Severin
Instagram started testing a functionality that allows switching seamlessly between multiple accounts on mobile. While this might sound like a minor improvement for most casual single-account users, the move directly caters to the demographic segment, which plays a key role in Instagram’s monetization strategy – the super creators, or those with multiple accounts.
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Why Netflix and Amazon Are Outbidding The Competition For The Best Of Sundance

Tim Mulligan
Amid the cold wintery weather of Utah, something extraordinary is happening, and it is not just the annual Sundance Film Festival currently being held in the scenic location of Park City. For the world’s preeminent independent film festival is now firmly in the sights of the two largest global SVOD (subscription video on demand) services: Netflix and Amazon.
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MIDiA Chart Of The Week: Mobile App Buyers

Cover image for MIDiA Chart Of The Week: Mobile App Buyers
Mark Mulligan
The global mobile app market was worth $35 billion in 2015 with revenue market share virtually split down the middle between Apple and Google. A host of big mobile app publishers such as King.com, Supercell and Mojang are the poster boys of paid content yet the app economy is first and foremost a free marketplace.
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How Pay-TV Can Get Netflix Off Its Front Lawn

Tim Mulligan
Amidst all the positive news about Netflix’s continuing growth story, some interesting points were touched upon in yesterday’s Netflix Q4 2015 Earnings Interview with analysts. Perhaps the most revealing meta narrative for the whole management zeitgeist was summed up Netflix’s CFO David Wells when he described the gaining the next 50 million subscribers as “a little bit harder than the first 50 million.
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Why An Indie Film Streaming Service Looks To China To Disrupt Its Competitors

Tim Mulligan
If one was to seek out two areas of video streaming that are currently wide open and waiting for consolidation then right at the top of that list would be film and the China market. Ever since last September when Netflix decided to downplay its feature film commitment when it declined to renew its $1 billion licensing deal with Film Distributor Epix (and which was subsequently taken up by Hulu), the world’s largest SVOD (Subscription Video On Demand) Service has looked to its original programming to win market share alongside its competitive pricing strategy.
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