The 20,000 Foot View: The rise of independent artists is one of the most important changes to happen to the modern recorded music business. While traditional label models still dominate, ever more artists are pursuing non-traditional alternatives, ranging from self-releasing through to joint-venture label service deals with majors. The rise of streaming has been the catalyst for independent artists, enabling them to find global audiences and to pursue their careers on their terms. There has never been a better time to be a recording artist, but the other side of the equation is that record labels need to reimagine both their value proposition to artists and their underlying business models.
Key XXX of all consumers upload their own music or singing directly to destinations such as YouTube and SoundcloudThe total net (unique) number of music creators is XXX million, with XXX million on Soundcloud, XXX million on YouTube and XXX million on do-it-yourself (DIY) platformsIndependent artists can create their own virtual labels by choosing from a fast-growing selection of apps and services, from collaboration through to distributionTraditional record labels have to respond to this challenge by positioning around their soft skills and personal relationships to deliver an agency-like offer for artistsApple dominates the music production landscape with the combination of Logic Pro (used by XXX of artists) and Garage Band (used by XXX artists are the fastest growing part of the recorded music market, generating XXX million in 2018, up XXX on 2017Artist direct (i.e. DIY) revenue was XXX of the independent artist total with XXX million and label services making up the remaining XXX on XXX millionIndependent artist revenue made up XXX of global recorded music revenue in 2018, with major label master recordings comprising XXX and independent label masters XXX artists are motivated by creativity and recognition, with being respected and recognised in their scene the most widely cited motivationArtists will continue to have improved choice, with more frontline artists choosing non-traditional dealsLabels with a distribution business will fare best as they get to back both ends of the artist scale while also being able to get the most promising unsigned artists firstThe entire basis of a record label is changing, with labels competing on service offerings and having less deep catalogue while artists use them as platforms for driving other revenue streams
Companies and brands mentioned in this report: Amuse, Ableton Live, ADA, Avid, AWAL, Bandcamp, Bandsintown, Believe Digital, Big Machine Music, Big Yellow Dog Music, BMG Music Rights, BuzzAngle, Caroline, CD Baby, Cooking Vinyl, Cubase, Ditto, Downtown Music Holdings, Downtown Music Publishing, EMI, Facebook, FAMM, Fast Forward, the Firepit, Fourth Floor Creative, Globe, Google, hearo.fm, Hitco, Instrumental, Kickstarter, Kobalt, Kompoz, Landr, Logic Studio, Melboss, The Music Fund, Native Instruments, NME, The Orchard, Patreon, Penske, Pledge Music, ReverbNation, Rhapsody, Rise, Rolling Stone, Sony Music, Soundcloud, Splice, Soundtrap, Trebble, Tunecore, Warner Music, Uncut, United Masters, Universal Music, Vocalizr, Wysidio, YouTube
