music publishing
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The unflattening of streaming
What Western DSPs can learn from Tencent Music’s SVIP Tier
Streaming is both retail and radio – it shouldn’t be
Indie labels are trading quantity for quality as they let go of the “volume game”: MIDiA’s latest label survey
What is the value of a stream in 2025?
The music industry’s tipping point is Right Here, Right Now
Is streaming music's final form? And if not, what's next?
The ghost of the 2000s lingers over the catalogue acquisition market
A new era of music fluidity is here
Can Swift and Beyoncé save the economy? What the data says about music tourism
We pinpointed the right price for Super Premium. Here is how
Why HYBE expanding into China is a bigger deal than you think
NewJeans never die: What the year-long scandal means for K-pop’s global expansion
How economic volatility will impact US labels’ fandom monetisation push
20 years ago, labels targeted fandom. Will it work the second time around?
K-pop’s global bifurcation: A genre at a crossroads
The tap water music industry needs to become a bottled one
Everyone wants to monetise fandom – but we must fix fan data first
